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We just rang him, told him to get his bloody jeans on and get down here and enjoy this moment." "We were downstairs in the Bristol Hotel after the Paris premiere, the box office had just opened in the US. Wilson, his authoritative nod ushering her on. “That was when we were in Paris, right?” Barbara Broccoli asks her longtime producIng partner Michael G. "The producers were down in the bar, I was taking an early night, and my phone rang: 'GET DOWN HERE NOW!' The box office figures were coming in." Daniel Craig's version comes in a machine-gun staccato like a telex from headquarters: "Switzerland, sitting in bed making a playlist, wide awake, two o'clock in the morning," he raps without hesitation. And like all good anecdotes, everybody is telling it differently. "Everything further back."Ĭut to a modernist hotel in central London where an anecdote is taking shape. "I want the camera further back," Bradley, a man the size of a bear, hollers to the throng. Or at least, this is the exterior of the Residencia as expensively rebuilt on Pinewood's leafy backlot, to be nuked in the course of Bond doing what Bond does best.Īfter Aston Martin DBS V12s have been totalled, a gorgeous silver-skinned Douglas DC-3 banked and pitched in a perilous dogfight, speedboats rammed like toys, and the globe traversed (from London to Panama to Mexico to Chile to Italy to Austria and back), this is the last explosion of a gruelling six-month shoot. This is villain Dominic Greene's ( Mathieu Amalric) Bolivian holdout-cum-modernist hotel, as filmed at the Residencia in the shadow of the splendid Paranal Observatory in Chile. It's a tricky business blowing something up – you can't exactly do it twice. "Not sure," he grumbles to nobody in particular. He's pacing up and down, halting occasionally to peer through a lens he wears like a medallion and holding on-the-spot conferences with a huddle of technicians like eager groupies surrounding a rock star. Second unit director Dan Bradley, the man responsible for pyrotechnics, looks perturbed. Director Marc Forster, currently orchestrating a fistfight between Camille ( Olga Kurylenko) and a corrupt general on Stage B, has demanded it look "fucking cool".
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It’s been rigged with enough explosive to rupture the walls, shattering windows and then spewing a candyfloss plume of orange fire into the darkening sky.